]]> ]]> May 11,1999. There is writing done in lead pencil in the bottom right hand corner of the original painting which can only be seen when light reflects off of it.
It reads 2 Chronicles 7:19-22, Jeremiah 4-6, May 1999.
The artist explained the details of the painting this way.
On the right side of the painting in the cloud of smoke is the silhouette of a clenched fist representing rebellion toward GOD, to the right of that is another silhouette of a fetus representing the abortion issue, on the bottom is the American flag stretched out with green blocks floating on the water representing our greenbacks heading toward Europe representing economic collapse. the red cloud coming over the Statue of Liberty represents the cloud of Communism coming over this country.]]>
I have done extensive research into the World Trade Center, 09/11/2001, and what led up to the attacks. I could not have prepared myself for what I was about to see when we took the subway to lower Manhattan that day. I had to hold back my tears as to not embarrass myself in front of my mother. Knowing that almost 3,000 innocent people died there, and that two enormous buildings that once stood in the gaping hole in front of me were amongst some of the tallest buildings in the world suddenly hit me. All I could do is take as many pictures as I could to document the historical and sacred sight that I bear witness too.

I went into the newly opened P.A.T.H. station and looked through the exposed area of the fence into the sight. The one thing that was so amazing was that these New Yorkers, who were coming and going in the station and witnessed the destruction of these buildings only two and a half years ago were able to leave their houses, and carry about their daily mundane activities.

This trip has had a profound effect on me as a person. I know now that everything that you hold dear, everything that you love, can be gone in a matter of moments. Everything that I thought was so important, doesn't seem as important. Thank you.]]> (110 lines woven from the contributions of invited poets) In the days and weeks following September 11th, New Yorkers were numbed by the gloomy silence that fell upon Lower Manhattan. The streets of Lower Manhattan lay eerily quiet and deserted, as if the avalanche of ashes from the Towers were a black and paralyzing snowfall.

Yet, beginning on the very day of the tragedy, when the distraught and bereaved began scrawling messages in the ash, and a student from NYU laid out a sheet of butcher block paper in Union Square, New Yorkers broke the silence with stories, poems, rituals and commemorative art. At the heart of the response were words -- words at first written in the dust near Ground Zero, on Missing Posters, makeshift memorials, scraps of paper posted on telephone booths, on index cards in Times Square, attached to ribbons on Canal Street, in chalk on the sidewalk, on firehouse walls.

The idea to build the towers back up in the way that only poets canin wordscame a few weeks later. Each poem tower would be 110 lines, one for each story of the Trade Towers. As word got out about the Twin Towers of Words, poets from all over the world submitted lines to our web site, www.peoplespoetry.org. For the second tower, we invited 110 established poets to contribute a line. Adrienne Rich, Robert Creeley, and Galway Kinnel were among the contributors. The two word towersalong with poetry from the shrineswere mounted as part of our traveling exhibit, Missing: Streetscape of a City in Mourning, at the New York Historical Society through July 7th. Below is a graphic image of the "word towers" that hang in the Missing exhibit-long, black, billowing cotton banners that were placed near a fountain toward the end of the exhibit. The towers are over 25-ft tall and these are only 15 inches high, but they should give you a sense of how they look in the show.

To see the full text of the poems see 911 Digital Archive Story # 9311 for Tower One and 911 Digital Archive Story # 9312 for Tower Two. Tower One includes poet Bob Holman's introductory comments; both include citations for each of the lines.

-- Steve Zeitlin, City Lore <www.citylore.org>
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